The Romantic Poet as a Nature Poet

During the Romantic decimal point, the notion of character played an enormous social function within poetry, and I compete that Romantic poets represent genius in terms of the soaring. I will explore the sublimity of temperament in the two poems Ode to the tungsten Wind (1819) by Percy Bysshe Shelley and surgical incision Four and Five of The metrical composition of the Ancient Mariner (1797) by Samuel Taylor Coleridge and the surrounding anxieties of the era that caused personality to be one of the of import focuses of the Romantic poets. I brace chosen these two particular(a) poems because I hope they twain effectively portray record in a sublime way.\nOn first love of whether the Romantic poet is in feature predominantly a nature poet it is imperative to understand the social, diachronic and theoretical contexts of the era. Margaret Drabble states that the Romantic close stretches from 1770 to 18481 and during this short snip frame there was a big change in thinking. This change was so vast that Isaiah Berlin argues Romanticism is the greatest wholeness shift in the mind of the West that has occurred.2 The Romantic period saw a originate away from earlier sagacity scientific concludeing and legitimate rationality. Romantics challenged towards a more inward, deeper, subconscious answer for their questions they were asking, as they believed reason cannot explain everything.3 However, what gains weight to the Romantics variety in thinking is that it was not just poets who embraced this change, it was also support by writers of other literary forms, philosophers, musicians and fine artists. But why was it that the Romantic poets were so mesmerised with nature? I believe that it is due to three anxieties of the time. Firstly, and or so importantly was the industrial revolution. The industrial revolution saw a move away from the rural, as the provincial landscape a good deal became urban and industrialised future(a) advances in agr icultur[al]4 technologies, devising jobs ...